It’s Personal Picnic Johannesburg 2026 Review

<p> </p><h3><span style="background-color: #ff0072; color: white; font-family: Oswald; font-size: x-large;"><b> EVENT REVIEW | THINK IN ELECTRONIC  </b></span></h3><h1 style="text-align: left;"><span style="color: #ff0072; font-family: Oswald; font-size: large;">Think In Electronic  | It's Personal Picnic Should Have Been Personal And Deep. Instead, It Was Divided And Interrupted.</span></h1><p style="text-align: left;"><span style="color: #444444; font-family: Oswald; font-size: large;">Celebrating 15 years on paper, Johannesburg’s latest electronic outing had the artists, but somewhere between late gates, sound cuts, the rugby, and a crowd more interested in socialising than dancing, the music struggled to become the main event.</span></p><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBFN8dj2XT0xZtarX2yP963bVyy0V53byP2HelJbWxBNrQd-dNmHy40fchrozHOcBUY33TPEJFn1bCKNIF3wRGdrVc46GB37zdS-Cyq6pcylM3fAWEbpwGOw9RypCrSWxp6gHQO1H4D9aF66cHqOB23Rk5g40rrHvVuzv_RF1F4qmPk11zr78RPLqI7TeP/s1440/ITS_PERSONAL_PICNIC_REVIEW_2026.png" style="margin-left: 1em; margin-right: 1em;"><img alt="It’s Personal Picnic Johannesburg 2026 electronic music crowd." border="0" data-original-height="1440" data-original-width="1080" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBFN8dj2XT0xZtarX2yP963bVyy0V53byP2HelJbWxBNrQd-dNmHy40fchrozHOcBUY33TPEJFn1bCKNIF3wRGdrVc46GB37zdS-Cyq6pcylM3fAWEbpwGOw9RypCrSWxp6gHQO1H4D9aF66cHqOB23Rk5g40rrHvVuzv_RF1F4qmPk11zr78RPLqI7TeP/s1600-rw/ITS_PERSONAL_PICNIC_REVIEW_2026.png" title="It’s Personal Picnic Johannesburg 2026 electronic music crowd." /></a></div><span style="color: #444444; font-family: Oswald; font-size: large;"><br /></span></div><div><span style="color: #444444;"><div style="text-align: left;"><div style="text-align: justify;"><span style="font-family: times;">There was a moment when <a href="https://www.thinkinelectronic.com/2026/08/hvob-its-personal-picnic-johannesburg-2026.html" target="_blank">It’s Personal Picnic</a> looked like it might really live up to its name and to its </span><span data-index-in-node="104" data-path-to-node="11" style="font-family: times;">15th birthday milestone</span><span style="font-family: times;">.</span></div><div style="text-align: justify;"><span style="font-family: times;"><br /></span></div><span style="font-family: times;"><div style="text-align: justify;">The weather had threatened to kill it before it even started. Friday brought relentless rain and gale-force winds, while forecasts for Saturday were still throwing around rain and thunderstorms. The organisers went ahead anyway, setting up a stretch of covered tenting across the grounds. While the rain ultimately stayed away, the grey skies, freezing temperatures, and biting wind remained, leaving the cover feeling slightly small and token against the wide, exposed space.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">None of that seemed to matter much. People came, paying anywhere from R350 early-bird passes up to R650 for final-phase tickets (or close to R1,500 for a pair of GA entries).</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The lineup was strong enough to pull them in: <span data-index-in-node="46" data-path-to-node="14">Indigo</span>, <span data-index-in-node="54" data-path-to-node="14">Abby Nurock</span>, <span data-index-in-node="67" data-path-to-node="14">FKA Mash B2B Julian Gomes</span>, <span data-index-in-node="94" data-path-to-node="14">Shimza</span>, <span data-index-in-node="102" data-path-to-node="14">Ryan Murgatroyd</span>, <span data-index-in-node="119" data-path-to-node="14"><a href="https://www.thinkinelectronic.com/2015/04/hvob-present-their-second-album-trialog.html" target="_blank">HVOB</a></span>, and <span data-index-in-node="129" data-path-to-node="14">Sona</span>, with the day beginning at midday and running through to the advertised 10:30pm finish.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The ingredients were there. What wasn't always there was the connection.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGCFeCdiOqc68GGfIq8B8yTY7Tx9mKoHa4wCh96w2PCG4Cov7mY4iLmskQdjCYv-jN48O8qkROlFWbRSTIDQp7Xmx69nlnFnEzhQJM6ngtgfaA5ehu9VVibWLCetFrfzhwn0-kBEkkBHKfw5YIpDF4qV7LNpYD1QQNF0Xp3civojvIlUVzI8bDx_TTj94Q/s3913/ITS_PERSONAL_PICNIC_2026.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Early afternoon atmosphere at It's Personal Picnic 2026" border="0" data-original-height="3913" data-original-width="2935" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGCFeCdiOqc68GGfIq8B8yTY7Tx9mKoHa4wCh96w2PCG4Cov7mY4iLmskQdjCYv-jN48O8qkROlFWbRSTIDQp7Xmx69nlnFnEzhQJM6ngtgfaA5ehu9VVibWLCetFrfzhwn0-kBEkkBHKfw5YIpDF4qV7LNpYD1QQNF0Xp3civojvIlUVzI8bDx_TTj94Q/s1600-rw/ITS_PERSONAL_PICNIC_2026.jpg" title="Early afternoon atmosphere at It's Personal Picnic 2026" /></a></div><h3>THE FIRST SIGN WASN'T THE WEATHER</h3><div>The friction started at the gates. Despite doors scheduled for 12:00 PM, attendees took to Instagram complaining that by 12:30 PM, gates were still firmly locked out in the cold.</div><div><br /></div><div>By around 3:45 PM, the site was filling up ahead of Shimza's 4:30 PM slot. Arriving at this time, the layout was clear: the area directly in front of the stage had gathered a decent, tight crowd, but beyond that pocket, the rest of the venue felt surprisingly open and empty. It never quite built that dense, charged atmosphere you expect from an event celebrating 15 years in dance culture.</div><div><br /></div><div>Getting through security took about 20 minutes. The checks themselves were thorough, bags were fully opened, belongings pulled out and searched. But without dedicated lines for different search types, the flow choked.</div><div><br /></div><div>For those who made it in early enough to catch the tail end of FKA Mash B2B Julian Gomes, there was a glimpse of what the day could have been. Catching roughly 30 minutes of their back-to-back set, the music was absolute fire. Both artists stayed completely true to their distinct sonic identities, and the early crowd locked in front of the stage was visibly enjoying every minute of it. It proved that when the music got the focus, the event clicked.</div><div><br /></div><div>Once inside the broader site, though, a different question emerged: what exactly had everyone arrived for?</div><div><br /></div><div>Because as the day progressed, it became increasingly difficult to tell whether this was an electronic music crowd that happened to be socialising, or a social crowd with electronic music playing around it.</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhPwiaDlgggeBNNSN7des02_6TFWmNVTDUxK066Sut181JS5Z_c5uGSvEoAjDLvIXlLD4IhBP6ymRnvtJ1QIwYOs7Rm58D47RSC3fWPCw75kvpTl5ulhErln9AsjI-5ewMjBVU2QCaUavOEx-Dy0b0jGe9AQQBk-hGdnQHV-oOga7XDDtdRXrxQoxHQ8j7/s3544/FKAMASH_JULLIAN_GOMES_PERSONAL_PICNIC_2026.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="FKA Mash and Julian Gomes performing at It’s Personal Picnic Johannesburg 2026." border="0" data-original-height="3544" data-original-width="2658" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhPwiaDlgggeBNNSN7des02_6TFWmNVTDUxK066Sut181JS5Z_c5uGSvEoAjDLvIXlLD4IhBP6ymRnvtJ1QIwYOs7Rm58D47RSC3fWPCw75kvpTl5ulhErln9AsjI-5ewMjBVU2QCaUavOEx-Dy0b0jGe9AQQBk-hGdnQHV-oOga7XDDtdRXrxQoxHQ8j7/s1600-rw/FKAMASH_JULLIAN_GOMES_PERSONAL_PICNIC_2026.jpg" title="FKA Mash and Julian Gomes performing at It’s Personal Picnic Johannesburg 2026." /></a></div><h3>WHEN THE MUSIC STOPPED, EVERYONE NOTICED</h3><div>The sound system didn't exactly make things easier. Music cut out completely for several minutes at different points, while some changeovers came with long stretches of silence. The interruptions continued through the afternoon and right into the evening headline sets.</div><div><br /></div><div>When <a href="https://www.thinkinelectronic.com/2025/11/lane-8-south-africa-debut-favorite.html" target="_blank">Ryan Murgatroyd</a> stepped up and kicked off his set, the technical issues struck immediately, a track got caught in an endless loop right out of the gate. As the technical crew stepped in to intervene, they seemed completely clueless as to what was causing the glitch, dragging out a grueling 10 to 15-minute struggle on stage just to get the system operational. The sheer frustration was visible on Murgatroyd's face before he could establish any rhythm. For an artist performing live, that's a particularly painful and awkward way to begin.</div><div><br /></div><div>But Ryan Murgatroyd recovered.</div><div><br /></div><div>In fact, his set became one of the strongest moments of the day. His live performance, track selection, and mixing felt considered and purposeful. There was real narrative and movement in the music, and for a while it felt like the kind of set that could pull the entire field into focus.</div><div><br /></div><div>The room just wasn't always willing to focus.</div></div><div><h3>SHIMZA HAD THE CROWD. THE MOMENT NEVER QUITE ARRIVED</h3><div>If there was one artist who clearly had the audience behind him, it was Shimza.</div><div><br /></div><div>His 4:30 PM slot drew one of the biggest crowds of the day, and the set had enough familiar material to give them plenty to work with. Embers with Camelphat and Julia Church appeared early. There was another familiar <a href="https://www.thinkinelectronic.com/2014/10/3rd-remix-of-otto-knows-parachute-this.html" target="_blank">CamelPhat </a>track with Köyé, Yellowitz's Goddess, an edit of Biscits Bringing Me Down, and Shimza's own edit with Darque of <a href="https://www.thinkinelectronic.com/2013/11/the-chainsmokers-own-night.html" target="_blank">The Chainsmokers</a> and Coldplay Something Just Like This.</div><div><br /></div><div>Then came the  Afrojack & Shimza vs Rüfüs Du Sol – Innerbloom vs Fire Fire Mashup. This was the crowning moment the audience had anticipated all night, marking the ultimate crescendo of his performance.</div><div><br /></div><div>Fire Fire got people moving. But this was where something felt slightly off.</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ3FNKLfkrDboKTNTRIpcEyzqFNuzc6FGylUFgMS96n4DXmbsf4nXhVVnWR3CxV9hhI1CtaC4XbeRIEi7AOIQNDOGP0Q1UA173gRZoCG9f8yKMoQIHGEox5vSWwKeVP-h-7ke65GVcU_DgvUQ7kNUjZ6Oc0Up5dNNwPJUmEhhWYZi6lhQSTqc9cXMJKXEu/s3096/SHIMZA_ITS_PERSONAL_PICNIC_2026.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Shimza performing at It’s Personal Picnic Johannesburg 2026." border="0" data-original-height="3093" data-original-width="3096" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ3FNKLfkrDboKTNTRIpcEyzqFNuzc6FGylUFgMS96n4DXmbsf4nXhVVnWR3CxV9hhI1CtaC4XbeRIEi7AOIQNDOGP0Q1UA173gRZoCG9f8yKMoQIHGEox5vSWwKeVP-h-7ke65GVcU_DgvUQ7kNUjZ6Oc0Up5dNNwPJUmEhhWYZi6lhQSTqc9cXMJKXEu/s1600-rw/SHIMZA_ITS_PERSONAL_PICNIC_2026.jpg" title="Shimza performing at It’s Personal Picnic Johannesburg 2026." /></a></div><div><br /></div>For a track with that level of familiarity, the huge collective singalong never really arrived. There was energy, but not the kind of crowd response that takes a moment from being good to being unforgettable. At points, the ambient chatter of the crowd actually drowned out the lyrics, making it feel more like a background conversation than a shared peak moment</div><div><br /></div><div>And that became a pattern for the day: the ingredients for a moment were there, but the moment itself kept slipping away.</div><div><br /></div><div>The sound cutting out during peak sections certainly didn't help Shimza. But it would be too convenient to blame the equipment for a set that, compared with the peak-time performances he has delivered elsewhere, felt surprisingly restrained.</div><div><br /></div><div>Then, when Shimza finished, people left. A noticeable portion of the crowd simply disappeared.</div><div><br /></div><div>The frustration around the running order was already visible online when the set times were announced on prior to the event. One attendee commented: “What is this even? How can you put Shimza on at 16:30 but you give the main set times to someone no one has ever heard of and the last set to Black Coffee's son...this is why people want the set times before buying tickets.”</div><div><br /></div><div>It was a blunt assessment, and a wildly uninformed one, Ryan Murgatroyd is a foundational name in South African electronic music (having previously dominated as one half of <a href="https://www.thinkinelectronic.com/2013/10/crazy-white-boy-ghettotech.html" target="_blank">Crazy White Boy</a>), while HVOB were the international headliners. But the comment exposed a massive disconnect between the lineup as programmed and the lineup as understood by a section of the crowd.</div><div><br /></div><div>Another attendee told us directly on the day that they were “just there for the vibes” and had only come to see Shimza.</div><div><br /></div><div>Taken alongside the crowd that arrived specifically around Shimza's set and the sudden drop-off once he finished, it was difficult to ignore the feeling that a sizeable part of the audience had come for a general social outing with the music being purely secondary.</div><h3>RYAN MURGATROYD DESERVED A ROOM THAT WAS LISTENING</h3><div>Ryan Murgatroyd's set deserved far more attention than it got. After surviving the 10–15 minute ordeal of a looping track and a seemingly clueless tech team, he found his footing and delivered a set that understood exactly how to build a journey.</div><div><br /></div><div>But around him, attention was constantly being divided.</div><div><br /></div><div>People were talking, moving constantly between the bar and food areas, or congregating around the large rugby screen positioned toward the back of the site, which broadcast the match right through Murgatroyd's set. People left the dancefloor, wandered back, and drifted off again. The music was forced to compete for attention in a place where it should have been the sole reason everyone was there.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhggg92mDI2lFJVrMX58O9ineqm4dQx9f3wZ2BOf9FlDphu4S7DP2LpqQR5fX3ctYKBACxiiHQFSi9XT0i2NC8_88IK-zlnG9t8EwDwxNT7mvHye-xpxmcSAvULZvPMTDLqsxa9Gm8d4P6_r1LocmjvuFOc6_xjUXJReDgolLFctaSGEmZoydiFQlzNxw_-/s3666/RYAN_MURGATROYD_ITS_PERSONAL_PICNIC_2026.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="Ryan Murgatroyd performing at It’s Personal Picnic Johannesburg 2026." border="0" data-original-height="3666" data-original-width="2750" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhggg92mDI2lFJVrMX58O9ineqm4dQx9f3wZ2BOf9FlDphu4S7DP2LpqQR5fX3ctYKBACxiiHQFSi9XT0i2NC8_88IK-zlnG9t8EwDwxNT7mvHye-xpxmcSAvULZvPMTDLqsxa9Gm8d4P6_r1LocmjvuFOc6_xjUXJReDgolLFctaSGEmZoydiFQlzNxw_-/s1600-rw/RYAN_MURGATROYD_ITS_PERSONAL_PICNIC_2026.jpg" title="Ryan Murgatroyd performing at It’s Personal Picnic Johannesburg 2026." /></a></div><div></div><h3>HVOB WERE GOOD. THE CROWD WAS THE DISTRACTION</h3><div>Then came HVOB.</div><div><br /></div><div>The international headline act didn't suddenly become a different band because they were in Johannesburg. They brought the exact same atmospheric, hypnotic live quality that has made their show work globally.</div><div><br /></div><div>The set included Cool Melt, The Last Song Written, Let's Keep This Quiet, Panama, Dogs, and Clap Eyes.</div><div><br /></div><div>Having caught HVOB three times previously in Beijing (including their November 2025 show), the familiarity was noticeable. Several tracks appeared again, and the overall set felt close to what they delivered on tour. That isn't a criticism, touring live acts have a precise show, and HVOB delivered theirs cleanly.</div><div><br /></div><div>The problem was the physical chaos happening all around them.</div><div><br /></div><div></div><div>During some of the set's most subtle, delicate moments, you couldn't get through a single track without someone walking directly in front of you. Tall people stood right in your line of sight, blocking the stage entirely. Friends pulled each other backward through the crowd, bumping into anyone trying to listen. Phones were held up everywhere.</div><div><br /></div><div>Groups stood in tight circles with their backs completely turned to the stage, drinking, smoking, vaping, chatting, and taking selfies while entirely ignoring the music. You had to physically shift locations just to try and hold onto the set's momentum.</div><div><br /></div><div>And there was very little actual dancing. There was movement, people shifting around, drinking, vaping, smoking, and chatting, but very few people looked absorbed in what was happening on stage.</div><div><br /></div><div>The front-of-house sound had also become heavily bass-driven by this point, making HVOB's delicate live vocals difficult to hear. It's an issue noticeable at their last Beijing show as well, but for an act whose atmosphere relies heavily on vocal presence, it further eroded the experience.</div><div><br /></div><div>HVOB were doing what HVOB do. The room just wasn't listening.</div><div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBXEzFoOwG27BsMZjo4uZRbrlmz_T0i6jgMPmPRHJbCtr4GlJPT2gn291i_vv1TE7amWWIJCjPWu2Cl7ygbXivri8BlEWkgZ1n1C1efmfcPOPIGL9c_JJMf2lUdBvVvREdI6V7OT9BYGw9UnxzST_r_EWdLBywk2Jy5WLMAWRsKYI-cIQendUKadiJt_WZ/s3362/ITS_PERSONAL_PICNIC_HVOB_2026.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="HVOB performing at It’s Personal Picnic Johannesburg 2026." border="0" data-original-height="3362" data-original-width="2522" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBXEzFoOwG27BsMZjo4uZRbrlmz_T0i6jgMPmPRHJbCtr4GlJPT2gn291i_vv1TE7amWWIJCjPWu2Cl7ygbXivri8BlEWkgZ1n1C1efmfcPOPIGL9c_JJMf2lUdBvVvREdI6V7OT9BYGw9UnxzST_r_EWdLBywk2Jy5WLMAWRsKYI-cIQendUKadiJt_WZ/s1600-rw/ITS_PERSONAL_PICNIC_HVOB_2026.jpg" title="HVOB performing at It’s Personal Picnic Johannesburg 2026." /></a></div></div><div><br /></div><h3>BY SONA, THE DAY HAD LOST A LOT OF ITS CROWD</h3><div>Sona came on at 9:00 PM, but by then It’s Personal Picnic felt like a completely different event.</div><div><br /></div><div>The crowd had thinned considerably after HVOB, and more people continued to leave during Sona's set. Musically, Sona took things in a heavier, darker, techno-leaning direction than what had come before.</div><div><br /></div><div>For the people still on the field, it was a definite gear shift, but it didn't pull the crowd back in. Leaving the venue, one attendee told us directly that he felt the event wasn't all that great, explaining that the sounds felt repetitively similar and that he needed far more vocal hooks and lyrics to actually get into it. Sona also played Talk to Me, a massive track across Instagram, but it failed to trigger the kind of recognition that might have anchored the remaining crowd.</div><div><br /></div><div>There was an opportunity to give the remaining audience an iconic final moment. Instead, the floor kept clearing.</div><div><br /></div><div>Then, at 10:00 PM, it ended.</div><div><br /></div><div>The advertised finish was 10:30 PM. Sona had played for just an hour, while earlier DJs had been given 90-minute slots.</div><div><br /></div><div>There was no final release, no crescendo, no nod to 15 years of history. Just a sudden cut of sound, a field already half-abandoned, and a crowd left to drift out in the dark.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVF6PQtB-rZdI5sNL4vhrkzbhnxDjnyRNUaFRZ74ovfjMsVkBhiUTqw8loycN6Mv3pyZN-wmPvf7StkNYRANBdJr0MS-Zu5GB7Etn931sm4ZUOE3eP7y6wBi_0dMQSxLaiZZw3qlpI4JHriWCgaZxM2dCdFxt5VA62MN5tn_DaacSDCMr7Q0e7VOXjZgxp/s2901/ITS_PERSONAL_PICNIC_SONA.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="Sono performing at It’s Personal Picnic Johannesburg 2026." border="0" data-original-height="2901" data-original-width="2481" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVF6PQtB-rZdI5sNL4vhrkzbhnxDjnyRNUaFRZ74ovfjMsVkBhiUTqw8loycN6Mv3pyZN-wmPvf7StkNYRANBdJr0MS-Zu5GB7Etn931sm4ZUOE3eP7y6wBi_0dMQSxLaiZZw3qlpI4JHriWCgaZxM2dCdFxt5VA62MN5tn_DaacSDCMr7Q0e7VOXjZgxp/s1600-rw/ITS_PERSONAL_PICNIC_SONA.jpg" title="Sono performing at It’s Personal Picnic Johannesburg 2026." /></a></div><div></div><h3>SO WHAT WAS IT’S PERSONAL PICNIC ACTUALLY MISSING?</h3><div>Not the artists. Not the track selection. Not even the potential of the venue.</div><div><br /></div><div>What was missing was cohesion.</div><div><br /></div><div>The strongest parts of It’s Personal Picnic existed in isolation. FKA Mash B2B Julian Gomes delivered a sharp early set to a small crowd; Shimza drew the biggest turnout and played great records, but couldn't turn it into a shared moment; Ryan Murgatroyd delivered a brilliant live performance to a distracted field; and HVOB gave their fans a refined live show while much of the crowd stood with their backs turned, drinking, vaping, and watching the rugby screen.</div><div><br /></div><div>By the time Sona came on, the site was winding down. The sound dropouts kept interrupting the flow, and the dancefloor functioned more like a social lounge than the focal point of an electronic music gathering.</div><div><br /></div><div><br /></div><div>There were enough standout moments to prove why It’s Personal Picnic has reached 15 years. The frustration was that those moments never locked together into one convincing, collective experience.</div><div><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigFHyTL-sTDuAvrFeFIBLDIEofkhfP2dEVtqJI9cckrr8dVz8Esfm2zenxQWYUQ3htUT0dTUm55SHelsOO12rBtGrbFSrjv4hlubyL60XCnyi3A5el1pfqFPCeuumGUGHbLF-fRTPqD4e5iQiZVdHJt-z4m2go2WthgOJgu_V7HqE9t3SZuaXbJYunNwSN/s2989/HVOB_JOHANNESBURG_2026.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="Crowd watching HVOB perform at It’s Personal Picnic Johannesburg 2026." border="0" data-original-height="2989" data-original-width="2242" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigFHyTL-sTDuAvrFeFIBLDIEofkhfP2dEVtqJI9cckrr8dVz8Esfm2zenxQWYUQ3htUT0dTUm55SHelsOO12rBtGrbFSrjv4hlubyL60XCnyi3A5el1pfqFPCeuumGUGHbLF-fRTPqD4e5iQiZVdHJt-z4m2go2WthgOJgu_V7HqE9t3SZuaXbJYunNwSN/s1600-rw/HVOB_JOHANNESBURG_2026.jpg" title="Crowd watching HVOB perform at It’s Personal Picnic Johannesburg 2026." /></a></div></div><br /><div></div><h3>THE BOTTOM LINE</h3><div>It’s Personal Picnic should have been personal and deep. Instead, it was divided and interrupted.</div><div><br /></div><div>The artists were there. The setting was there. The audience was there. But an electronic music event lives or dies on what happens when all three lock together. At It’s Personal Picnic 2026, they kept missing each other entirely.</div><div><br /></div><div>The music deserved a room that was ready to listen. The room never quite got there.</div><br /></div></div></span></div><response-element class="no-md" ng-version="0.0.0-PLACEHOLDER" style="font-family: Oswald; font-size: x-large;"><!----><!----><!----><!----><!----><!----><code-block _nghost-ng-c2071998203="" class="ng-tns-c2071998203-44 enable-luminous-code-block ng-star-inserted"><!----><!----><div _ngcontent-ng-c2071998203="" class="code-block ng-tns-c2071998203-44 ng-animate-disabled ng-trigger ng-trigger-codeBlockRevealAnimation" data-hveid="0" data-ved="0CAAQhtANahgKEwio2I2q896WAxUAAAAAHQAAAAAQigE" decode-data-ved="1" jslog="223238;track:impression,attention;BardVeMetadataKey:W1sicl8yNDFjZWM2NjA4ZjA0MDNhIiwiY184ZmQ3YjI1MWEzMDc4ODNkIixudWxsLCJyY19jOTdjZjQ5NDA2OGIzMDAwIixudWxsLG51bGwsImVuIixudWxsLDEsbnVsbCxudWxsLDEsMF1d"><!----><div _ngcontent-ng-c2071998203="" class="formatted-code-block-internal-container ng-tns-c2071998203-44"><div _ngcontent-ng-c2071998203="" class="animated-opacity ng-tns-c2071998203-44"><!----><pre _ngcontent-ng-c2071998203="" class="ng-tns-c2071998203-44"><code _ngcontent-ng-c2071998203="" class="code-container formatted ng-tns-c2071998203-44 no-decoration-radius" data-test-id="code-content" role="text"></code></pre></div></div></div></code-block></response-element></span></div>

It’s Personal Picnic Johannesburg 2026 Review

   EVENT REVIEW | THINK IN ELECTRONIC   Think In Electronic  | It's Personal Picnic Should Have Been Personal And Deep. Instead, It Was ...

HVOB to Headline It’s Personal Picnic in JHB

<h3 style="text-align: left;"><span style="background-color: #ff0072; color: white; font-family: Oswald; font-size: x-large;"><b> EVENT | THINK IN ELECTRONIC  </b></span></h3><h1 style="text-align: left;"><span style="color: #ff0072; font-family: Oswald; font-size: large;">Think In Electronic News | HVOB to Headline It’s Personal Picnic’s 15-Year Celebration in Johannesburg </span></h1><h2 style="text-align: left;"><span style="color: #444444; font-family: Oswald; font-size: large;">The Austrian duo will bring their immersive live show to James & Ethel Gray Park this September</span><span style="color: #444444; font-family: Oswald; font-size: large;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo86FrpwYbLNOiBpGPtznYtsF2xViHwCMkHM7oGwTKSU8H5QyRhY8MFOqPfPD7FICljAG-gjED98Ido7NqdlupjTgPGa4qcfjwwdOVtptosXIXYUkoKzvBvmJeqtd-EA91hVQssspKxP74yE-9nfyFJ7ih3blTZD69yZ5VnZTGfUJ71TsCZWWH0VA1UEPD/s1440/HVOB_SHIMZA_HEADLINE_ITS_PERSONAL_PICNIC_2026.png" style="margin-left: 1em; margin-right: 1em;"><img alt="HVOB to headline It’s Personal Picnic’s 15-year celebration in Johannesburg on 5 September 2026" border="0" data-original-height="1440" data-original-width="1080" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo86FrpwYbLNOiBpGPtznYtsF2xViHwCMkHM7oGwTKSU8H5QyRhY8MFOqPfPD7FICljAG-gjED98Ido7NqdlupjTgPGa4qcfjwwdOVtptosXIXYUkoKzvBvmJeqtd-EA91hVQssspKxP74yE-9nfyFJ7ih3blTZD69yZ5VnZTGfUJ71TsCZWWH0VA1UEPD/s1600-rw/HVOB_SHIMZA_HEADLINE_ITS_PERSONAL_PICNIC_2026.png" /></a></div></span></h2><div style="text-align: justify;"><span style="color: #444444; font-family: times; font-size: small;"><b>Johannesburg</b> is getting an international electronic music booking with some serious weight behind it. <a href="https://www.thinkinelectronic.com/2015/04/hvob-present-their-second-album-trialog.html" target="_blank"><b>HVOB</b></a> will headline <b>It’s Personal Picnic’s</b> 15-year celebration, taking over James & Ethel Gray Park on 5 September 2026.<br /><br />The Austrian duo will sit at the top of a bill that also brings together some of South Africa's most recognisable electronic names, including <a href="http://www.thinkinelectronic.com/2015/04/boiler-room-and-ballantines-present.html" target="_blank"><i>Shimza</i></a>, <a href="http://www.thinkinelectronic.com/2025/11/lane-8-south-africa-debut-favorite.html" target="_blank"><i>Ryan Murgatroyd</i></a>,<i> Jullian Gomes</i>, <i>SONA </i>and <i>Abby Nurock.</i><br /><br />For anyone familiar with <b>HVOB's</b> live shows, the setting feels particularly well suited. Their music has always thrived on atmosphere, patient builds, pulsing low-end and intricate electronic textures that unfold rather than rush towards the obvious payoff. In a park, with Johannesburg's afternoon light gradually giving way to sunset, there's plenty of room for that sound to breathe.<br /><br />We've caught HVOB live three times in <i>Beijing</i>, and each performance has reinforced the same thing: their show is less about delivering a collection of tracks and more about creating a space for the music to take over. It's immersive without being overstated, with the duo allowing tension and repetition to do much of the work.<br /><br />That makes their<i> Johannesburg</i> appearance one of the more intriguing international bookings on the city's September calendar.</span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times; font-size: small;"><br /></span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times; font-size: small;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/XxSmY7VNaCk?si=4p1zfuXgF6l1IoCP" title="YouTube video player" width="560"></iframe></span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times; font-size: small;"><br />For It’s Personal, the booking arrives during a significant chapter. The 2026 edition marks 15 years of the Beautiful Picnic, celebrating a brand that has become closely associated with bringing electronic music into open-air spaces and building an experience around the people as much as the music.<br /><br />The daytime event is scheduled to run from 12:00 until 22:30, giving the celebration plenty of time to move through the familiar arc of an outdoor electronic gathering — afternoon warmth, increasingly loose energy, golden hour and the inevitable push towards the final tracks of the day.<br /><br />And this year, there's somewhere else to go afterwards.<br /><br />The 15-year celebration continues with <b>It’s Personal: Afterdark</b> at <i>Truth Nightclub</i>, extending the anniversary from the park into Johannesburg's nightlife. The organisers are presenting the two experiences as part of a wider celebration rather than treating the picnic as an isolated daytime event.<br /><br />It's a fitting way to mark 15 years: start outside, let the music build, then carry the night somewhere deeper.<br /><br />Alongside HVOB, the lineup brings together artists whose sounds have helped shape the country's contemporary electronic landscape.<br /><br /><b>Shimza </b>arrives with his globally recognised Afro-house sound, while <b>Ryan Murgatroyd</b> brings the melodic and progressive side of South African electronic music.<b> Jullian Gomes</b>, meanwhile, has long occupied his own space between deep house, broken beat and the wider South African house continuum.<br /><br /><b>SONA</b> and<b> Abby Nurock </b>round out the announced lineup, giving the day enough range to move naturally between different moods and tempos.<br /><br />Rather than chasing a single genre, the bill reflects the way Johannesburg's electronic scene actually sounds: fluid, cross-pollinated and comfortable moving between house, Afro-influenced sounds and more atmospheric forms of electronic music.<br /><br />And then there's HVOB.<br /><br />Their appearance gives the anniversary a genuine international focal point, but it's the contrast between the duo's immersive live sound and the depth of the local lineup that could make this edition particularly interesting.<br /><br />Fifteen years is a long time in electronic music. Styles change, venues disappear, scenes evolve and audiences move on. The fact that It’s Personal is still gathering people around music  and can bring an act of HVOB's calibre into that space says something about the staying power of the format.<br /><br /></span><h4><span style="color: #444444; font-family: times; font-size: small;"><b>It’s Personal Picnic: 15 Years </b></span></h4><h4><span style="color: #444444; font-family: times; font-size: small;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBwJkA3nvxk69gXE6Wix08tuYccpyKumBlTWioqfjB9JYM6kvc0FlCO8GzsC9fFrZYjioDm_DpL7t_fciIN86YspHRMnEwyu7Gx9x6HWTGoiPOC5MLxPqx-eFXHjNRGrHwcrsApnSe6uOLcpRAlidIn4yoUFnEAuNcBRkyDK6djx93tPvajpW8gBHAQM0X/s640/it's%20personal%20picnic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="HVOB It’s Personal Picnic’s 15-year celebration in Johannesburg on 5 September 2026" border="0" data-original-height="640" data-original-width="480" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBwJkA3nvxk69gXE6Wix08tuYccpyKumBlTWioqfjB9JYM6kvc0FlCO8GzsC9fFrZYjioDm_DpL7t_fciIN86YspHRMnEwyu7Gx9x6HWTGoiPOC5MLxPqx-eFXHjNRGrHwcrsApnSe6uOLcpRAlidIn4yoUFnEAuNcBRkyDK6djx93tPvajpW8gBHAQM0X/s1600-rw/it's%20personal%20picnic.jpg" /></a></div><br /> </b></span></h4></div><div style="text-align: justify;"><span style="color: #ffd966; font-family: times; font-size: small;">Date :</span><span style="color: #444444; font-family: times; font-size: small;"> Saturday, 5 September 2026.</span></div><div style="text-align: justify;"><span style="color: #ffd966; font-family: times; font-size: small;">Location :</span><span style="color: #444444; font-family: times; font-size: small;"> James & Ethel Gray Park, Melrose, Johannesburg.</span></div><div style="text-align: justify;"><span style="color: #ffd966; font-family: times; font-size: small;">Time : </span><span style="color: #444444; font-family: times; font-size: small;">12:00 to 22:30.</span></div><div style="text-align: justify;"><span style="color: #ffd966; font-family: times; font-size: small;">Line-up : </span><span style="color: #444444; font-family: times; font-size: small;">HVOB, Shimza, SONA, Ryan Murgatroyd, Abby Nurock and Jullian Gomes.<br /></span><span style="color: #ffd966; font-family: times; font-size: small;">Tickets</span><span style="color: #444444; font-family: times; font-size: small;"> : howler.<br /><br />The celebration continues after dark at <i><b>Truth Nightclub.</b></i></span></div><div style="text-align: justify;"><div class="separator" style="clear: both;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: 0px; margin-right: 0px; text-align: left;"><tbody><tr><td style="text-align: center;"><span style="font-family: times; font-size: small;"><br /></span></td></tr></tbody></table></div></div>

HVOB to Headline It’s Personal Picnic in JHB

 EVENT | THINK IN ELECTRONIC   Think In Electronic News | HVOB to Headline It’s Personal Picnic’s 15-Year Celebration in Johannesburg  The A...

Kid Fonque & Jullian Gomes Announce New Record Label, Stay True Sounds

<div dir="ltr" style="text-align: left;" trbidi="on"> <h2 style="text-align: justify;"> <span style="text-align: left;"><span style="color: #ff0072; font-size: x-large;">Welcome to Kid Fonque and Jullian Gomes Stay True Sounds</span></span></h2> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4FtAYrbJd-sUiRwyaAysV1fpvAcH1d2zKu6Dhy3uaqyhcM8jtsfyNL7oVyYGi82VtQeioXA5ZNgrcmqzK-wP8yNaQhLgo2q3swhHQCh6y-doHYkx2imsEeh960SL_jdxh9K4fjux0jHmw/s1600/STS_Logo_FA_W%2526B.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="stay true sounds kid fonque jullian gomes" border="0" height="226" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4FtAYrbJd-sUiRwyaAysV1fpvAcH1d2zKu6Dhy3uaqyhcM8jtsfyNL7oVyYGi82VtQeioXA5ZNgrcmqzK-wP8yNaQhLgo2q3swhHQCh6y-doHYkx2imsEeh960SL_jdxh9K4fjux0jHmw/s320-rw/STS_Logo_FA_W%2526B.jpg" title="Stay true sounds new south africa label" width="320" /></a></div> <br /></div> <div style="text-align: justify;"> It’s official! Two industry heavyweights, Kid Fonque and Jullian Gomes have teamed up to establish a brand new record label that they’ve called Stay True Sounds.</div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> Combining their industry experience and skills, the establishment of Stay True Sounds can be seen as the natural progression of a concrete working relationship that’s been built over several years. </div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> When talking about Stay True Sounds, the pair battle to contain their excitement. “Each of us brings something different to the table” explains Gomes, “creating a label together really feels like the next logical step. It’s the right time to do our own thing and not feel limited by anything. Locally I couldn’t imagine doing it with anyone else.”</div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> Frequent collaborators, Kid Fonque played a pivotal role in launching Jullian Gomes' career in his previous role as label manager of iconic imprint Soul Candi Records.  At the time Gomes was releasing with his cousin Michael G as G.Family, and their album Deep House Chronicles Vol.6 - Break the Silence was nominated in the category Best Dance Album at the 2011 SAMAs.</div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> Gomes went on to release the award-winning anthem “Love Song 28” as a solo artist on Soul Candi and worked closely with Kid Fonque on the popular music video. The track proved to be career landmark and global recognition for Gomes followed.</div> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYUv_a8Vc9T0fi4c3Zu5mVfekMtDqvz-K1A8s1K1SUdZRBciFBNaiKP0IRAKaCKtxKGx03YK7dgN2eBwPpXd9wNwwyw9iKJ-di_b1PP2JM-3PtAweUprCoJlIn88OysoHi1YSyJIcrxSJ-/s1600/Jullian+Gomes_Kid+Fonque.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="jullian gomes and kid fonque" border="0" height="250" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYUv_a8Vc9T0fi4c3Zu5mVfekMtDqvz-K1A8s1K1SUdZRBciFBNaiKP0IRAKaCKtxKGx03YK7dgN2eBwPpXd9wNwwyw9iKJ-di_b1PP2JM-3PtAweUprCoJlIn88OysoHi1YSyJIcrxSJ-/s320-rw/Jullian+Gomes_Kid+Fonque.jpg" title="jullian gomes and kid fonque launch new label" width="320" /></a></div> <br /></div> <div style="text-align: justify;"> The announcement of the new label follows several months of discussions and planning. Fans can look forward to Jullian Gomes’ debut solo album and a collaborative album from Kid Fonque and UK-based producer D-Malice. The label will be releasing material from Cuebur, Bruce Loko, Melo B Jones and Black Widow however the pair are keeping the label’s other signings hush-hush for the time being. “We are picking up singles, but it’s all for next year” explains Fonque. </div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> Anyone who has spent a moderate amount of time on dancefloors in South Africa will be familiar with these accomplished industry players. DJ turned producer Kid Fonque is one of the scene’s most enduring and respected figures. He builds on a productive career in the industry that spans two decades - working his way from the ground up in CD stores before moving into distribution then assuming the lead at the iconic Soul Candi Records. His deep understanding of the industry’s inner-workings will be crucial to the label’s operations. </div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> A masterful DJ who can melt house, hip hop, broken beats and bass together, Kid Fonque is known for his long-running event series. “I have always seen my monthly #2sidesofthebeat events as a platform to showcase new talent” he says, “and my goal is for Stay True Sounds to do the same thing on a global level.”</div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> Summarising Jullian Gomes’ long list of career achievements is no small task.  One of the most sought-after DJ/producers in the country, a Red Bull Music Academy alumni and a globetrotting DJ whose mesmerising music has taken him all over the globe - including places as far afield as Japan. Hailing from Pretoria, Gomes is now firmly established as one of the new leaders of South Africa’s trending house music industry. His skills in the studio have seen him collaborate with the likes of Atjazz, Osunlade and Black Coffee not to mention having his music signed and released by the world’s most respected house music labels.</div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> The formation of Stay True Sounds signals a new chapter for two dedicated audiophiles and for the local music industry. It’s apparent that the partnership is underpinned by a healthy respect for one another and that their different but over-lapping music preferences will come through abundantly. </div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> Gomes and Fonque are hard at work bringing all the elements together for the label’s launch. Local graphic artist Jaco Haasbroek was commissioned to design the label’s logo and Gomes and Fonque have crafted a new track which they’ll be giving away for free. This musical gift is titled ‘Stay True’ in honour of the new label. </div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> The Official Stay True Sounds launch event takes place on Friday 27 November at Kitchener’s in Braamfontein.  Cuebur, Bruce Loko, Melo B Jones & Black Widow will play alongside Kid Fonque and Jullian Gomes.</div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> <b>Connect with Stay True Sounds: </b></div> <div style="text-align: justify;"> <br /></div> <div style="text-align: justify;"> Twitter: t<a href="http://witter.com/StayTrueSounds">witter.com/StayTrueSounds</a></div> <div style="text-align: justify;"> Facebook: <a href="http://www.facebook.com/StayTrueSounds/">www.facebook.com/StayTrueSounds/</a> </div> <div style="text-align: justify;"> Instagram: <a href="http://instagram.com/staytruesounds/">instagram.com/staytruesounds/</a></div> <div style="text-align: justify;"> Web: <a href="http://staytruesounds.com/">staytruesounds.com/</a></div> <div> <br /></div> </div>

Kid Fonque & Jullian Gomes Announce New Record Label, Stay True Sounds

Welcome to Kid Fonque and Jullian Gomes Stay True Sounds It’s official! Two industry heavyweights, Kid Fonque and Jullian Gomes have...

The Black 80s – Give Me Something

<div dir="ltr" style="text-align: left;" trbidi="on"> <div dir="ltr" style="text-align: left;" trbidi="on"> <div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;"> </div> <div style="background-color: white;"> <h2 style="text-align: center;"> <b><span style="color: #f1c232; font-family: Times, Times New Roman, serif;">The Black 80s  Give Me Something Remix Pack Includes Remix From South Africa's Own Jullian Gomes</span></b></h2> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoqpGlYsnMKupcc_UAy4QyEQszzpjAzTkGspKGIp19Dxh60ytbXdLnMVZMY6r2SF9QvIpra8BbGf36ODywKPgqKwugZ6koUFpkKDVvd3iF809i5hNVDUEzs7ApHV7ZKL2tc1Aj-c2rFSBA/s1600/the+black+80's.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="The Black 80s – Give Me Something remixes on defected " border="0" height="640" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoqpGlYsnMKupcc_UAy4QyEQszzpjAzTkGspKGIp19Dxh60ytbXdLnMVZMY6r2SF9QvIpra8BbGf36ODywKPgqKwugZ6koUFpkKDVvd3iF809i5hNVDUEzs7ApHV7ZKL2tc1Aj-c2rFSBA/s1600-rw/the+black+80's.jpg" title="The Black 80s – Give Me Something" width="640"></a></div> <div style="text-align: justify;"> <b><span style="color: #222222; font-family: inherit;"><br></span></b></div> </div> <div 100="" 13px="" arial="" b="" color:="" font-family:="" font-size:="" frameborder="no" gt="" height="450" sans-serif=""> <div style="text-align: justify;"> <span style="color: #f1c232; font-family: inherit;">1. Give Me Something (Joe Goddard Remix) / 2. Give Me Something (Jullian Gomes Remix)</span></div> </div> </div> <div style="background-color: white;"> <div style="text-align: justify;"> <span style="color: #f1c232; font-family: inherit;">3. Give Me Something (Overnite Mix) / 4. Give Me Something (Hollis P Monroe Mix)</span></div> </div> <div style="background-color: white;"> <div style="text-align: justify;"> <span style="color: #f1c232; font-family: inherit;"><b>Label:</b> Defected Records</span></div> </div> <div style="background-color: white;"> <div style="text-align: justify;"> <span style="color: #f1c232; font-family: inherit;"><b>Release date:</b> <span class="aBn" data-term="goog_933446909" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: dashed; border-bottom-width: 1px; position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">08 September 2014</span></span></span></div> </div> <div style="background-color: white;"> <div style="text-align: justify;"> <span style="color: #f1c232; font-family: inherit;"><b>Format(s):</b> Digital<b> </b></span></div> </div> <div style="background-color: white; color: #222222;"> <div style="text-align: justify;"> </div> </div></div>

The Black 80s – Give Me Something

The Black 80s  Give Me Something Remix Pack Includes Remix From South Africa's Own Jullian Gomes 1. Give Me Something (Joe...